![]() ![]() “Tainted Empire” demonstrates this perfectly - the dubstep bass drops striking like ball hammers, the synthesizers distorted to the point of violence. The lean, skeletal engine underneath takes center stage, throwing out the glitzy dance parts and sexy ballads in favor of harsh, metallic simplicity. This model isn’t so much new as it is reduced to its bare bones. In some ways, this feels like a reaction to that release. Last year’s exceptional The Uncanny Valley brought Perturbator’s dark synthwave sound to cinematic extremes, layer after layer of synthesizers and samples building an entire world out of each track. “Kent is in the midst of a brilliant creative streak.” It’s a harsh, grinding industrial assault - just filtered through Kent’s exceptional songcraft. Sexualizer played with sunny Italo Disco elements. James Kent) has used EPs in the past to explore specific parts of his sound. ![]() The stark, monolithic factory on the cover of Perturbator’s new EP states quite clearly what to expect within: No neon, no sexy ladies, no cyberpunk trappings just cold, impersonal machinery. He recently profiled NewRetroWave for Bandcamp.) (Editor’s Note: This review is by Jeff Treppel, a music journalist and synthwave connoisseur. ![]()
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